Scene: train station - last calls. Camera searches through the crowd, couples touching, talking, sees glimpses of hands clasped, tickets, kisses, children and last minute snacks. Reaches a pair of hands that aren't touching, hanging loosely side by side. Clearly a man-and-woman's from size/shape.
Camera rises, following the gap between their bodies. They do not touch anywhere. Camera reaches faces, including in the frame the right eye of the woman, the left eye of the man.
Pan out and up - can see both man and woman easily, can see the crowd is thinning, ebbing about the man and woman. The crowd infront and around them strobe in and out of reality (edit using two scenes) there is no other sound apart from the sound of the train (in both scenes) and the crowd when they are in the cut. Crowd disperses (take at least a minute, man and woman should be discernable), more announcements, same final call for the train. Cut to an accute side/frontal shot of the couple, woman's side. Camera slides away, positioned low so that the view looks up at them (Rebecca-esque). Announcement. Whistle to close doors.
Man walks briskly to the train, approaching into the camera, then past the camera. Tense expression. Until he is out of sight the camera cannot see the woman. Train pulls out in the peripheral vision of the camera.
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Finish:
(i) Camera closes in, but before getting too close the woman turns and walks away. Camera follows at a constant distance. She begins to strobe in and out of reality as the crowd did.
(ii) Remains still, camera approaches to a bust shot, her eyes are above the center line of the screen. Her throat convulses.
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Music possibilities:
Entrance guitar chords from 'Be Somebody' by Kings of Leon.
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Her: Short hair pinned back. Trousers, high neck jacket.
Him: unusually thin. No coat, thin shirt.